Pickpocket View large image


Film Details

Directed by: Robert Bresson

Produced: 1959

Countries & Regions: France

DVD Details

Certificate: PG

Length: 73 mins

Format: DVD

Region: Region 2

Released: 25 April 2005

Cat No: ART295DVD

Languages(s): French
Subtitles: English
Interactive Menu
Screen ratio 1:1.33
Dolby Mono

Moviemail Details

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Cast: Marika Green , Martin LaSalle , Jean Pelegri , Dolly Scal , Pierre Leymarie

Availability: On Order, dispatched within 5 - 10 days. Delivery Times

Robert Bresson writes and directs this French classic, an existential exploration of the arrogance and psychological make-up of Michel... Read More




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Robert Bresson writes and directs this French classic, an existential exploration of the arrogance and psychological make-up of Michel (Martin LaSalle), a thief who works the streets of Paris, picking people’s pockets.

Released in 1959 at the dawn of the French New Wave, Robert Bresson’s fifth feature, Pickpocket, established a link between the masterworks of the past and the cinema of the future. Conceived and shot in a matter of weeks, the film’s use of real Parisian locations (streets, cafés, depots) and subversion of traditional dramatic techniques helped set the tone for a new era of film experimentation.

Loosely based on Dostoevky’s Crime and Punishment, Bresson’s compressed narrative offers an incisive portrait of a troubled urban recluse, Michel, whose compulsion to steal propels him on an unexpected personal journey. As in Diary of a Country Priest (1951) and A Man Escaped (1957), Bresson records his protagonist’s narration, thus revealing Michel’s ambiguous feelings in a world of relentless physical precision, timing and ritual. A sequence depicting thefts at the Gare de Lyon is a veritable ballet of secret movements and gestures, its aesthetic pleasure emphasizing the intrinsically seductive appeal of Michel’s thievery as well as the practice and dexterity required.

Throughout the film however, a police inspector seems as interested in counselling Michel as he is in arresting him. Their sporadic conversations are spiked with suggestions - Michel claims certain individuals should be above the law; the inspector counters that an arrest could be made at any time, but teasingly hesitates.

Pickpocket is a shining example of Bresson’s fully mature, essentialist style. Nonprofessional actors, eye-level compositions, and an emphasis on sound combine with a perplexing approach to narrative construction (unexplained reversals and ellipses) that creates a carefully modulated viewing experience. Rigorous and subdued yet deeply felt, the film is a surprisingly romantic vision that builds to a profound crescendo, transforming Michel’s search for identity into a passionate proclamation of love.

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