You save £6 (30%)
|Add to Wishlist|
Should be despatched in 5-7 days. Despatched from the UK. Delivery timesUsually 2-3 days to reach UK addresses. Europe takes around 2 days longer and International destinations take 1-2 weeks
FREE to UK addresses.
Costs to other countriesUK: Free
Western Europe: £2.00
Rest of the world: £3.00
If you are unhappy with your purchase, you can return it to us within 14 days. More details
Directed by Bruno Dumont
Produced in 2006
Main Language - French with English subtitles
Adelaide Leroux, Henri Cretel, Jean-Marie Bruveart, Samuel Boidin
Demester divides his time between his farm and walks with his childhood friend Barbe. He loves her, secretly and painfully, but along with others of his generation, leaves for a nameless war. The seasons pass. Demester is brutalised by the random violence of war but still nourishes an intense love for Barbe. Winner of the Cannes Jury Prize, 2006.
Publisher: Soda Pictures
Length: 91 mins
Aspect ratio: 2.35:1 Anamorphic widescreen
Format: DVD Colour
Released: 4th October 2010
Cat No: SODA048
- Director Masterclass: Bruno Dumont in conversation at Rendez-vous with French Cinema, London, 2007.
by Anon on 17th August 2007
French maverick Bruno Dumont is not the cheeriest of fellows. Much like Bresson, he demands performances of such scant expression from his non-professional actors that... Read on
French maverick Bruno Dumont is not the cheeriest of fellows. Much like Bresson, he demands performances of such scant expression from his non-professional actors that their characters seem to have no inner life. The result, in La Vie de Jésus and L’Humanité, are depictions of humanity at its most rudimentary, often basest level.
It was only a matter of time before Dumont made a war film. This follows the fortunes of a Flanders farmer, Demester (Samuel Boidin) sent to fight in an unspecified desert conflict, where his most barbaric instincts are acted upon, most horribly in a gang rape. At home, his childhood love Barbe (Adelaïde Leroux) wilts under the pressure of family history and loneliness and starts to lose her sanity.
It’s a troubling film, whose minimalist battle scenes are matched in their horror by the protagonists’ unreal inability to express themselves. Thus Dumont posits the seeds of wartime atrocity in the emotional deficiencies of ordinary people in their daily lives. But this time the downbeat view is, surprisingly, relieved at the eleventh hour.