Carmen (Saura) View large image

Film Details

Directed by: Carlos Saura

Produced: 1983

Countries & Regions: Spain

DVD Details

Certificate: PG

Studio: Studio Canal

Length: 103 mins

Format: DVD

Region: Region 2

Released: 23 April 2012

Cat No: OPTD1290

Extras:
Languages(s): English
Interactive Menu
Scene Access
Screen ratio 1:1.85
Dolby Digital 2.0

Moviemail Details

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Carmen (Saura)

Cast: Antonio Gades , Laura del Sol

DVD
Availability: On Order, dispatched within 5 - 10 days. Delivery Times

Spanish director Carlos Saura mixes rehearsals and the real thing for this adaptation of Bizet’s opera, effectively telling Carmen’s... Read More

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Spanish director Carlos Saura mixes rehearsals and the real thing for this adaptation of Bizet’s opera, effectively telling Carmen’s story twice in one film. Choreographer Antonio (Antonio Gades) casts an unknown girl (Laura del Sol) to dance the title role in his new balletic version of ’Carmen’. Whilst rehearsing, the pair fall in love, even though the young dancer has a husband in jail on drug charges. Saura’s adaptation is highly regarded and is noted for its transposition of the legend using various Spanish dances and folksongs, and exhilarating visuals to accompany Bizet’s music. Spanish guitarist Paco de Lucia also contributes to the soundtrack.

At long last Carlos Saura’s Blood Wedding (1981) and El amor brujo (1986) are reunited with their companion piece Carmen (1984). A fiesta of Flamenco fused with classical ballet and political allegory, this post-Franco trilogy is choreographed by and stars Spanish dance legend Antonio Gades.

Blood Wedding, adapted from Lorca’s 1932 play of the same name, is the most vérité of the trilogy, offering a fascinating insight into Gades’ working methods, showing his dance troupe rehearsing Blood Wedding. The drama of Lorca’s play – about an arranged marriage that implodes amidst blood feuds and grand passion – is re-interpreted through the flamenco pyrotechnics of Gades in the role of lover, Christina Hoyos as bride and a brooding Juan Antonio Jiménez as cuckolded groom.

More drama-documentary in feel, Carmen follows Gades’ efforts to discover a Carmen for his Flamenco fusion of Prosper Mérimée and Georges Bizet. Once he has cast the voluptuous Laura Del Sol as the quixotic gypsy and himself as her intoxicated lover, the line between his personal and professional life becomes dangerously blurred. However disorienting this is, the performers are spellbinding – whether it’s Gades dancing to the Farruca into the night or the feline Del Sol fighting for her life in the tabacalera sequence.

El amor brujo, adapted from Martinez Sierra’s 1915 one act ballet is the most streamlined of the three films: its action occurs in a gypsy shanty town impressively recreated on a vast studio stage. It’s about a cuckolded wife (Hoyos) whose philandering husband (Jiménez) comes to a violent end. Driven mad by her loss, she attempts to dance away her demons with the help of her long-suffering suitor (Gades) and her husband’s sultry lover (Del Sol).

Saura and Gades’ creative partnership has been justly compared to that of Hollywood giants, Stanley Donen and Gene Kelly: the major difference being that the Spaniards didn’t have the mighty resources of MGM at their disposal. But when Gades and Hoyos stamp and sway against a blood red sunset in El amor Brujo’s breathtaking finale, they sure do give Gene Kelly and Cyd Charisse a run for their money.

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