Joseph Mankiewicz’s 1955 musical, drawn from Damon Runyon’s gangster tales, returns to cinemas this weekend in a new print. It ain’t subtle, but the showstoppers remain sensational, writes Mike McCahill.
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Ben Stiller’s family-friendly franchise returns for a third and possibly final instalment that finds the star's hapless security guard seeking to retrieve an Egyptian tablet with mysterious powers. The magic has ebbed away, writes Mike McCahill.
Mike McCahill on 16th December
In 2005, former Orange Juice frontman Edwyn Collins found himself fighting for his life after undergoing a severe cerebral hemorrhage. This documentary account of his recovery makes some unexpected, often very moving choices.
This unusual American drama centres on an L.A. widow (Annette Bening) who spies her late husband’s doppelganger while browsing an art gallery. It’s a dead ringer for Vertigo, with one crucial twist, writes Mike McCahill.
This handsome period piece finds a kind-hearted, kitchen-savvy maid revolutionising the life of her sullen chef hubby. The starters are adorable, but the main course sits a little heavy on the stomach, reports Mike McCahill.
This year’s Best Film winner at France’s Cesars - beating Stranger by the Lake and Blue is the Warmest Colour - is a whimsical coming-of-age story drawn from a hit stageplay. It’s not always funny, but it’s unarguably personal, writes Mike McCahill.
This new Brit drama attempts to enter the headspace of a young epileptic woman searching for her errant brother amid the bright lights of London. Decent lead performance aside, nothing about it really crackles, sighs Mike McCahill.
Frank Collins looks back to the origins of British Science Fiction television to mark the BFI’s major celebration of the genre.