Frank Collins explores British TV's distinctive contribution to the science fiction genre to mark the BFIís major celebration of the genre, Sci-Fi: Days of Fear and Wonder and DVD release of 1975ís highly-regarded childrenís TV series, The Changes.
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Michael Brooke on 3rd September
Restored and arriving with a host of extras, Borowczyk's witty erotic fable takes Beauty and the Beast to its logical, if morally and legally questionable, conclusion, writes Michael Brooke.
Mike McCahill on 3rd September
Observational drama turns into gripping thriller in this vivid movie that sees two teenage girls coming to maturity in 1990s Georgia. It's a tense, captivating film, writes Mike McCahill.
Fritz Langís touchstone 1931 thriller, with Peter Lorre as a child killer caught between Berlin cops and thugs, returns to UK screens this week as part of the BFIís Lorre retrospective. It remains a remarkably tough experience, reports Mike McCahill.
Michael Brooke on 2nd September
A wonderfully strange, inventive fantasy. if the Quay Brothers had been hired to shoot a period remake of Terry Gilliamís Brazil, it might have looked a bit like this, writes Michael Brooke.
Mike McCahill on 1st September
As a state-of-the-nation address detailing a China in the grip of a rapacious capitalism, the four linked tales in Jia Zhang-keís film could scarcely be more forceful, writes Mike McCahill.
Michael Brooke on 31st August
Containing the vast majority of the shorts that he made between 1959-84, this is a wildly imaginative set of films from the brilliant Polish artist and filmmaker, writes Michael Brooke.
Michael Brooke on 30th August
One of the great European art films in which Borowczyk brings a medieval world to life with an artist's eye. It now looks resplendent in a brand new restoration, writes Michael Brooke.
Belgiumís Dardenne brothers emerged from industrial films to scoop the Palme díOr twice either side of the millennium. With their Two Days, One Night currently receiving much acclaim, Mike McCahill profiles two of cinemaís most committed humanists.
Barry Forshaw on 29th August
Set against a backdrop of espionage and government paranoia, Hugo Blick's gripping new BBC drama is a reminder of just how good an actress Maggie Gyllenhall is, writes Barry Forshaw.